'Play' by Mike Stern: A Jazz Fusion Gem
Featuring Bill Frisell, John Scofield, Ben Perowsky, Dennis Chambers, and more...
In the land of jazz fusion, very few albums capture the energy and artistry of collaboration as intense as Mike Stern's 1999 release, Play (Atlantic). This ten-track album showcases the guitarist's signature blend of fluid improv, complex harmonies, and dynamic interplay. Stern, a distinguished figure in the jazz world since his early days with Blood, Sweat & Tears and Miles Davis, uses Play to underline his versatility and commitment to musical exploration. This album is celebrating its 25th year.
The album’s magic isn’t only from Stern’s guitar but also from the contributions of the many stellar musicians joining him. Heavyweights like saxophonist Bob Malach, drummer Ben Perowsky (John Zorn, Dave Douglas, Chris Speed), and bassist Lincoln Goines elevate Play beyond a showcase of guitar prowess. It gets wilder—Stern also enlists the help of two extraordinary guitarists: Bill Frisell and John Scofield. They don’t all appear together, as Scofield joins Stern on the first three tracks and Frisell for four after that. Layer after layer of texture highlights their contrasting yet complementary styles. The chemistry is solid, especially on tracks like "Outta Town" with Scofield, where this 6-minute fiery improv is more convoluted than I realize, not being a guitar player myself. Frisell and Stern take it down a notch on “Blue Tone,” going back and forth, then settling on a contagious groove with a steady beat provided by Lincoln Goines’ bass and the drums of Ben Perowsky.
Each track on Play offers a unique narrative, from the beautiful percussive effort paired with Stern’s guitar on "Small World" to the quieter bluesy tones of "Going Under" with drummer Dennis Chambers (Parliament/Funkadelic, Santana) and Bob Malach’s tenor saxophone. Stern’s compositions shine with spontaneity and structure, pulling listeners into the intricate dance between melody and rhythm but always showing off his guitar playing. The album seems seamless, balancing high-energy moments with introspective passages, creating an engaging experience that keeps you hooked from start to finish. Also, there aren’t many overdubs here…
Play is a must-listen for jazz guitar enthusiasts and fusion fans. Its vibrant spirit and collaborative essence serve as a reminder of the power of music. It’s been 25 years since the album’s release—hard to believe. Whether you're revisiting this classic or discovering it for the first time, this album is a testament to the boundless possibilities of musical collaboration.
Until next time. - JB